Sound engineer

With over a decade of hands-on experience in the music industry, I have cultivated a deep expertise in sound engineering, specializing in mixing and mastering across a wide range of genres, with a focus on underground house, minimal, and techno. My journey began in the underground rap scene, where I worked as a recording engineer, developing a strong foundation in capturing the raw energy of live performances and studio sessions. This early experience taught me how to work quickly and efficiently under pressure, often with limited resources, while still delivering professional, high-quality results.
After two years of working in recording studios, I opened my own space, shifting my focus toward electronic music—particularly the vibrant Parisian house and techno scenes. Over the years, I developed a refined ear and technical mastery in mixing and mastering, ultimately co-founding Eye Sound Studio with fellow engineer Loris, a high-end mastering facility equipped with carefully selected analog gear and acoustically treated to perfection. Our studio has worked with renowned artists such as Zendid, Janeret, Michael James, Djebali, Leo Pol, and Djoko, as well as labels like Automatic Writing and Positive Future. We pride ourselves on delivering warm, punchy, and musical masters tailored to the unique energy of each track and artist.
My skill set encompasses a wide range of audio engineering tools and techniques, including detailed spectral and dynamic processing, creative use of analog saturation, stereo imaging, phase alignment, and critical listening. I’m equally comfortable working in digital environments (DAWs like Pro Tools, Ableton Live, and Logic Pro) as I am with analog mastering chains, using both with precision and intention.
In addition to technical expertise, I bring a strong musical background to my work. I began studying classical piano at age 7 and later explored jazz and modern music, which deeply influences my sensitivity to arrangement, harmony, and rhythm. This musical intuition is at the core of my approach to sound engineering—every decision I make is in service of the track’s emotion, groove, and artistic intent.
Having recently relocated to Berlin after nine years in Paris, I am looking to connect with local studios and artists, offering my services in mixing, mastering, and recording. I’m fluent in English, French, and Polish, and I adapt easily to new environments and team dynamics. Whether working with emerging artists or established names, I’m committed to delivering high-quality sound and supporting musical visions with clarity, depth, and professionalism.